There’s a certain amount of investment that goes into writing these blog posts – I’m always convinced there’s something better I could be doing at the time, and can only reluctantly sit down and write these. This is, however, not without its rewards – I get to sit down later and chuckle at my own witticisms, and sleep soundly knowing that history will have a testament to my genius. Maybe not that, so much, but at least in part a record of what I was thinking at some particular time. I think there’s a very syncretic aspect of memory – it’s hard to remember outside of your epistemology – and I often have a difficult time remembering when (or perhaps more importantly, why) I used to think Israel was good and drugs were bad, or that love wasn’t real, and then that it was, and then that it wasn’t again. If anything, these blog entries are a bulwark against time, against reason. A testament to rationality, perhaps. Or maybe against it – because really, how much sense does it make to leave these testaments behind? If you can tie a common thread through them, great, your author function is preserved. But if not? Whoops – what if you didn’t use to think the way you did now? What if the brain that makes a “you” now isn’t the same brain that made a “you” earlier?
I’ve been fretting a little bit about what I want to actually study once I land this professor schtick – apparently you aren’t allowed to just sit in a leather chair and offer pithy remarks – you have to actually produce something. I read a couple works about libidinal economies for a couple of my papers and ended up really falling in love with the concept, more generally, of Eros and by extension the dissolution of consciousness. One of the most poignant sentences of Lyotard’s Libidinal Economy (which I’ve been meaning to finish, but am simply intimidated by) was the one where, after describing the process through which binaries are created through some sort of slowing of the libidinal flow, says “Don’t ask why – to ask why is to return to the realm of the Zero, to look for meaning.” This has been a bit stymieing for me, because while ultimately proving the source of my Nihilism, there’s an implication that the intellectual endeavours themselves are a bit of a false consciousness – a “We should know better, but we’re doing it anyway.” This is the primary difficulty I have with arriving comfortably at some sort of hedonism as a paradigm – I can’t justify it, which throws me right back into the spin cycle of “Why try and justify it?” which is in itself a sort of attempt to find justification. I’ve yet to find an exit that I’m satisfied with, although beer seems to help. And sex – I find that sex is good for resolving a lot of these ontological difficulties, although I suppose in a roundabout way it’s reproducing them. *Snort*
Dani told me recently that my blog wouldn’t cut it as a real publication because if I wanted to make something out of it, I would have to take out those sort of narcissistic asides: the bad jokes and even worse puns that I find amusing (and secretly suspect you do too) if not a little bit lacking in journalistic integrity. Also ensuing from our discussion was the way in which this blog offers insight into my personality. I’m somewhat split on this account – of course it does, because anyone who reads this is aware that I am over-educated and under-exposed to the dirty materialism of real life, somewhat pretentious, incredibly self-absorbed, and (obvi) devastatingly charming.
There is, however, the “belauschen” aspect of a blog, what Dani termed the false earnestness of it. I’ve long suspected that people who keep journals (particularly confessional ones) do so with the purpose or at least the awareness (however repressed) that they may be read some day. I’ll go one step further, and declare that the sort of tertiary subjectivity of writing something and reading it when you write it, in the vein of impulse thought review, has a built in theatricality. There is, of course, the Derridian aspect here linking the voice and the sign, but what I’m really getting at is the attempt to generate meaning itself through signification; there is a creation of consciousness necessary to express an I in a text, and a certain degree of Herrschaft that eventually determines which words and ideas will pop out the other end. What I’m trying to get at is that embedded within free speech (and, implicitly, most expression) is a bit of fascism – the decision to express in one medium and even in some sort of order and most significantly at any amount of length is by all means a repressive act, and one which unquestioningly subscribes to some sort of belief in meaning or transcendentalism or at very minimum something, or else why am I writing all this shit and not watching television or jerking off or any number of things more pleasant than pecking away at a dimly lit LCD?
This is getting muddled – I tend to forget that these are blog posts and not essays and end up mentally masturbating my way into a corner. Let me summarize: I am intrigued by the creation of a subject implied in expression; we intuitively sort, order, and repress certain feelings and thoughts to form the appearance (at least on the exterior) of a whole – a consciousness that is an “I” and not an “Us”, when the fact of the matter is that there’s a battle for every syllable – and even before that, when the decision to write is made. Interestingly, German people don’t make decisions – they meet them, as if some sort of LHC in their brains shoots around consciousness electrons and they eventually hit upon an idea. Lacan says the unconscious is structured like a language. Sometimes I try and think without words – never works very well, except for these sorts of primal emotions. Maybe there’s something to take from that – words aren’t the source but the symptom of repression, which we arrive at in the constitution of Self.
I hate it when Lacan is right.


